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Seshadri Sridharan
தமிழ் ஐயங்கார் பெண்கள் மடிசார் புடவை கட்டுவர். தெலுங்கு நியோகி ஆன
ஐயங்கார் அடையாளத்தவர் மடிசார் புடவை கட்டமாட்டார்கள். இதை வைத்து தான்
கண்டுபிடிக்க வேண்டும். ஆண்களை வைத்து கண்டுபிடிக்க முடியாது.
தெலுங்கை குறைசொல்லி பேசினால் நியோகி ஐயங்கார் வெகுண்டு எழுவர் இயல்பாக.
நான் இந்த கோவத்தை நேரில் கண்டிருக்கிறேன். தமிழ் ஐயங்கார்கள் தமிழைப்
பிற மொழியாளர் பழித்தால் வெகுண்டுஎழுவர். இதுதான் வேறுபாடு.
உண்மையில் ஆந்திரத்திற்கு என்று வைணவம் கிடையாது. கருநாடகத்திற்கு
மாத்துவம் தோன்றும் முன் வைணவ கிடையாது. எனவே தமிழ்நாட்டு வைணவர் தான்
அங்கு ஹென்று வைணவம் பரப்பினர். இன்றும் இந்த கன்னடர் தெலுங்கர் தம்
எழுத்தில் நாலாயிர திவ்விய பிரபந்தத்தை எழுதி தமிழில் தான் பாடுகின்றனர்.
இப்படி தமிழ்நாட்டில் இருந்து போன தமிழ் பிராமணர் 16 ஆம் நூற்றாண்டில்
தெலுங்கர் ஆயினர். அன்னமாச்சார்யார் பெற்றோர் தமிழர் என்று
சொல்லப்படுகின்றது . ஆனால் அன்னமாச்சாரியன் ஒரு தெலுங்கன் ஏனென்றால்
அவனுக்கு தமிழ் தெரியாது.
https://en.wikipedia.org/wiki/
Annamacharya - Wikipedia
en.wikipedia.org
Taḷḷapāka Annamācārya (or Annamayya) ( Telugu: తాళ్ళపాక అన్నమాచార్య;
22 May 1408 – 4 April 1503) was a 15th-century Hindu saint and is the
earliest known Indian musician to compose songs called sankirtanas in
praise of the god Venkateswara, a form of Vishnu. [1] He is the first
known composer in carnatic music. Other composers like Purandaradasa
came after him. The musical form of the keertana songs that he
composed, which are still popular among Carnatic music concert
artists, [2] have strongly influenced the structure of Carnatic music
compositions. [3] Annamacharya is remembered for his saintly life, and
is honoured as a great devotee of Vishnu by devotees and saintly
singers.[4]
He is believed to have been the avatar of Nandaka, the sword of
Vishnu. He is widely regarded as the Andhra Pada kavitā Pitāmaha
(Godfather of Telugu song-writing). [1]
Personal life
Annamacharya was born on Vaishakha Shuddha Pournami in the year
Sarwadhari (22 May 1408) in
Tallapaka, Near Rajampet Mandal, a village in current day Kadapa
district of Andhra Pradesh, India.[5] He was born into a Nandavarika
Niyogi Brahmin family. His wife, [[Timmakka ]], [6] had written
Subhadra Kalyanam , and is considered the first female poet in
Telugu literature. Their son, Pedda Tirumalacharya, and grandson,
Tallapaka Chinnayya, were also composers and poets. The Tallapaka
compositions are considered to have dominated and influenced the
structure of Carnatic music compositions. [3] Annamacharya lived for
95 years until Phalguna Bahula (Krishna) Dvadashi (12th day after full
moon) in the year Dhundhubhi (4 April 1503).
A statue of Tallapaka Annamacharya situated at the Sarada River Park
in Anakapalle, Andhra Pradesh.
Literary career
10-story tall statue of Sri Tallapaka Annamacharya located at the
entrance of Tallapaka.
Annamacharya is said to have composed as many as 32,000 sankeertanas
(songs) on the god Venkateswara, [7] of which only about 12,000 are
available today. He is also the author of musical treatise called
"Sankirthana lakshanamu" .[1]
Annamacharya considered his compositions as floral offerings to
Venkateswara. In the poems, he praises the deity, describes his love
for him, argues and quarrels with the Lord, confesses the devotee's
failures and apprehensions, and surrenders himself to Venkateshwara.
His songs are classified into the Adhyaatma (spiritual) and Sringaara
(romantic)
sankeertanas genres. His songs in the "Sringaara" genre worship
Venkateswara by describing the romantic adventures of Venkateshwara
and his consort Alamelu, while others describe the Bhakti of his
devotees.
In his later keertanas, he espouses subjects such as
morality , dharma and righteousness . He was one of the first few who
opposed the social stigma towards the
untouchable castes in his era, [8] with his sankeertanas explaining
that the relationship between God and human is the same irrespective
of the latter's color, caste and financial status, in his songs
"Brahmaṃ Okkatē Paraḥbrahmamokkatē " and "ē kulajuḍainanēmi
evvaḍainanēmi ". His prodigious literary career earned him a place
among the all-time greats of Telugu literature .[9]
Legacy
While he enjoyed popularity in his days, his compositions were
forgotten for over three centuries. Mentioned in 1849, [10] they were
later found engraved on copper plates, hidden for centuries inside the
Sri Venkateshwara temple at Tirumala, just opposite the Hundi,
concealed in a very small room. An English translation of 150 of these
verses was published in 2005. [11]
Tirumala Tirupati Devasthanams , also known as TTD, has been
endeavouring to preserve the rich heritage of his compositions. In the
year 1950, The State Government of Andhra Pradesh created a committee
and appointed Dr M Balamuralikrishna as its head. He set music to over
800 compositions of Annamacharya and are still popular among the
devotees. He has been the Āsthāna Gāyaka of the Tirumala temple at
Tirupati since two decades. He is regarded as a legend in rendering
devotional music in classical style, especially the Annamacharya
Sankirtanas. He is also an acclaimed poet, singer, and a musicologist.
Shobha Raju is the first recipient of Tirumala Tirupati Devasthanams
scholarship in 1976 to study and set a trend for the propagation of
Annamacharya's compositions, and was also chosen as the first
exclusive artiste for the propagation of Annamacharya's compositions
in 1978. Her first audio album, "Vēnkatēśvara Gīta Mālika " is
globally popular among Telugu community. She is the founder of
Annamacharya Bhavana Vahini (ABV) www
.annamayya.org in 1983, which is located in Hyderabad, India. She has
been awarded Padmashri by Government of India, in 2010 in recognition
of her efforts to promote Annamayya Compositions.
A Telugu film named Annamayya was made on him by
K. Raghavendra Rao in 1997. It starred Nagarjuna in the lead role as
Annamacharya and also featured Suman as Lord Venkateshwara and
Bhanupriya as Goddess Padmavathi Devi in important roles. The film
became a huge blockbuster, and was the highest grosser of the year in
Telugu cinema.
Kadayanallur Venkatraman, a brilliant composer has tuned a lot of
Annamacharya's kritis with beautiful ragas for M.S.Subbulakshmi, who
unveiled these forgotten kritis and brought them to the stage.
Famous Compositions
This is a partial list of some of the most famous Annamacharya compositions.
Note – (చ =Ca; ఛ=Cha; శ=Śa; ష=Ṣ. For more see
Romanization of Telugu )
Composition Raga Tala
Adivō Alladivō Śriharivāsamu
అదివో అల్లదివో శ్రీహరివాసము Madhyamavati Adi
Alara Cañcalamaina Ātmalanduṇḍa
అలర చంచలమైన ఆత్మలందుండ Rāga mālika khanDa cApu
Alarulu Kuriayaga Āḍinadē
అలరులు కురియగ ఆడినదే Dheerasankarabharanam
Anni mantramulu nindē yāvahiñcenu
అన్ని మంత్రములు ఇందే ఆవహించెనూ Amritavarshini
Antaryāmi Alaśiti Solaśiti
అంతర్యామి అలసితి సొలసితి Shivaranjani
Bhāvayāmi Gōpālabālaṁ Manassēvitaṁ
భావయామి గోపాలబాలం మనస్సేవితం
भावयामि गोपालबालं मनस्सेवितम् Yamunā Kaḷyāṇi Khanda Chapu
Bhāvamulōna Bāhyamunandunu
భావములోన బాహ్యమునందును Śuddha Dhanyasi Adi
Brahma Kaḍigina Pādamu
బ్రహ్మ కడిగిన పాదము Mukhāri Adi
Cakkani Talliki Chāngu Bhaḷā
చక్కని తల్లికి ఛాంగుభళా Paadi
Cāladā Harināma Saukhyāmr̥tamu
చాలదా హరినామ సౌఖ్యామృతము
Cēri Yaśōdaku Śiśuvitaḍu
చేరి యశోదకు శిశువితఁడు Mohanam Adi
Candamāma Rāve Jābilli Rāve
చందమామ రావే జాబిల్లి రావే
Dēvadēvaṁ Bhajē Divya Prabhāvaṁ
దేవదేవం భజే దివ్య ప్రభావం
देवदेवं भजे दिव्यप्रभावम् Hindolam Khanda Chapu
ḍōlāyāṁ Cālā ḍōlāyāṁ
డోలాయాం చల డోలాయాం Khamas(raga) 'Thisra Adi
ēmokō ciguruṭadharamuna eḍaneḍakastūri niṃḍenu
ఏమకో చిగురుటధరమున కస్తూరి నిండెను
ē Purāṇamuna Eṁta Vedakinā
ఏ పురాణమున ఎంత వెదకినా
GovindāŚrita Gōkula Br̥ndā
గోవిందాశ్రిత గోకుల బృందా
Harināmame Kaḍu Ānandakaramu
హరినామమే కడు ఆనందకరము
Indariki Abhayammuliccu Cēyi
ఇందరికి అభయమ్ములిచ్చు చేయి
Inni Rāśulayuniki Inti Cheluvapu Rāśi
ఇన్ని రాశులయునికి ఇంతిచెలువపు రాశి
Ippuḍiṭu Kalagaṃṭi
ఇప్పుడిటు కలగంటి
Itarulaku Ninneruga Taramā
ఇతరులకు నిన్నెరుగ తరమా
Jō Acyutānanda Jō Jō Mukundā
జో అచ్యుతానంద జో జో ముకుందా Navroj
Kanṭi Śukravāramu Gaḍiyalēḍiṁṭa
కంటి శుక్రవారము గడియలేడింట
Koṁḍalalō Nelakonna Kōnēṭi Rāyaḍu Vāḍu
కొండలలో నెలకొన్న కోనేటి రాయడు వాడు Hindolam
kṣīrābdi kanyakaku Śrī Mahālakṣmikini
క్షీరాబ్ది కన్యకకు శ్రీ మహాలక్ష్మికిని Kurinji(raga) Khanda Chapu
Kulukaka Naḍavārō Kommalārā
కులుకక నడవరో కొమ్మలారా Atana Adi
Madhava Kesava Madhusoodhana
మాధవ కేశవ మధుసూదన విష్ణు
माधव केशव मधुसूदना Kapi Adi
Mēdini Jīvula Gāva Mēlukōvayyā
మీదిని జీవుల గావ మేలుకోవయ్యా
Muddugārē Yaśōda Muṅgiṭa Mutayamu vīḍu
ముద్దుగారే యశోద ముంగిట ముత్యము వీడు Kuranji Adi
Mūsina Mutyālakēlē Moragulu
మూసిన ముత్యాలకేలే మొరగులు
Nallani Mēni Nagavu Chūpulavāḍu
నల్లని మేని నగవు చూపులవాడు
Nānāṭi Batuku Nāṭakamu
నానాటి బతుకు నాటకము Rēvati Adi
Nārāyaṇa Tē Namō Namō
నారాయణ తే నమో నమో
नारायण ते नमो नमो Bihag Adi
Neyyamullallō Nērēḷḷo Voyyana ūreḍi Uvviḷḷo
నెయ్యములల్లో నేరేళ్ళో వొయ్యన ఊరెడి ఉవ్విళ్ళో
Nitya Pūjalivivō Nericinānōhō
నిత్యపూజలివివో నేరిచినానోహో
Paluku Tēnelatalli Pavaḷincenu
పలుకు తేనెలతల్లి పవళించెను
Poḍaganṭimayya mimmu Puruṣōttamā
పొడగంటిమయ్యా మిమ్ము పురుషోత్తమా Mohanam Adi
Śriman Narāyaṇā Śriman Narāyaṇā Nī Śri Pādamē Śaraṇu
శ్రీమన్నారాయణ శ్రీమన్నారాయణ నీ శ్రీపాదమే శరణు Bowli Adi
Rajīva Nētrāya Raghavāya Namō
రాజీవ నేత్రాయ రాఘవాయ నమో
राजीवनेत्राय राघवाय नमो Madhyamavathi Khanda Chapu
Ramacandruḍitaḍu Raghuvīruḍu
రామచంద్రుడితడు రఘువీరుడు
Siruta Navvulavāḍu Sinnakka
సిరుత నవ్వులవాడు సిన్నక్కా
Ṣōḍaśa Kaḷānidhiki Ṣoḍaśōpacāramulu
షోడశ కళానిధికి షోడశోపచారములు
Brahmam Okate
తందనాన అహి Bowli Adi
Tvamēva Śaraṇam
త్వమేవ శరణం
त्वमेव शरणम्
Vandēhaṁ Jagadvallabhaṁ
Sanskrit: वन्देहं जगद्वल्लभं
Telugu : వందేహం జగద్వల్లభం Hamsadhvani Khanda Chapu
Vandē Vāsudēvaṁ Śrīpatiṁ
వందే వాసుదేవం శ్రీపతిం
वन्दे वासुदेवं श्रीपतिम् Sri Khanda Chapu
Vēḍukoṁdāmā Vēṅkaṭagiri Veṅkaṭeśvaruni Veḍukoṁdāmā
వేడుకొందామా వేంకటగిరి వేంకటేశ్వరుని వేడుకొందామా
Vinnapālu Vinavale Viṁtaviṁtalu
విన్నపాలు వినవలె వింతవింతలు
అన్నమయ్య పాటలు (All Annamayya songs lyrics in Telugu Script)
See also
List of Carnatic composers
Annamacharya sankeertana
References
1. ^ a b c "Life and Times of Sri Tallapaka Annamacharya" . Svasa.org.
Retrieved 2013-06-20.
2. ^ Jackson (1999) , p. 105.
3. ^ a b Jackson (1999) , p. 216.
4. ^ Jackson (1999) , p. 265.
5. ^ "Pension for Annamayya's descendants" . The Hindu . Chennai,
India. 23 May 2008.
6. ^ "Annamacharya's 600th birth anniversary celebrated" . The Hindu .
Chennai, India. 6 April 2009.
7. ^ "Annamayya preached oneness 600 years ago" .
The Hindu . Chennai, India. 4 May 2007.
8. ^ "All are equal before God" . The Hindu . Chennai, India. 14 July
2000. Retrieved 5 June 2013.
9. ^ "A classical touch to Annamayya kritis" . The Hindu . Chennai,
India. 5 February 2005.
10. ^ Campbell, AD (1849). A grammar of the Telugu language (3 ed.).
Hindu Press. p. xiii.
11. ^ Annamayya, (translators) Velcheru Narayana Rao, David Shulman
(2005). God on the Hill: Temple Poems from Tirupati . Oxford
University Press, USA.
ISBN 0195182847 . Retrieved 5 June 2013.
12. ^ "Alara chanchalamaina" . Sahityam. 25 September 2009. Retrieved
2013-06-20.
13. ^ "Anni mantramulu" . Sahityam. 7 November 2009. Retrieved 2013-06-20.
14. ^ "Bhavayami Gopalabalam" . Sahityam. 6 July 2010. Retrieved 2013-06-20.
15. ^ "Bhavamulona bahyamunandunu" . Sahityam. Retrieved 2013-06-20.
16. ^ "Jo achyutananda jo jo mukunda" . Sahityam. 24 January 2012.
Retrieved 2013-06-20.
17. ^ "Kanti sukravaramu" . Sahityam. 9 June 2010. Retrieved 2013-06-20.
18. ^ "Kulukaka nadavaro" . Sahityam. 19 October 2010. Retrieved 2013-06-20.
19. ^ "Muddugare yasoda" . Sahityam. 2 October 2010. Retrieved 2013-06-20.
20. ^ "Nitya pujalivivO" . Sahityam. 17 June 2010. Retrieved 2013-06-20.
Further reading
Jackson, William. 'Religious and Devotional Music: Southern Area’
(1999). In Porter, James; Rice, Timothy; Goertzon, Chris. The Garland
Encyclopedia of World Music. New York & London: Taylor & Francis.
இசை சங்கீர்த்தனா தெலுங்கு சங்கீதம் திருப்பதி
தமிழ் ஐயங்கார் பெண்கள் மடிசார் புடவை கட்டுவர். தெலுங்கு நியோகி ஆன
ஐயங்கார் அடையாளத்தவர் மடிசார் புடவை கட்டமாட்டார்கள். இதை வைத்து தான்
கண்டுபிடிக்க வேண்டும். ஆண்களை வைத்து கண்டுபிடிக்க முடியாது.
தெலுங்கை குறைசொல்லி பேசினால் நியோகி ஐயங்கார் வெகுண்டு எழுவர் இயல்பாக.
நான் இந்த கோவத்தை நேரில் கண்டிருக்கிறேன். தமிழ் ஐயங்கார்கள் தமிழைப்
பிற மொழியாளர் பழித்தால் வெகுண்டுஎழுவர். இதுதான் வேறுபாடு.
உண்மையில் ஆந்திரத்திற்கு என்று வைணவம் கிடையாது. கருநாடகத்திற்கு
மாத்துவம் தோன்றும் முன் வைணவ கிடையாது. எனவே தமிழ்நாட்டு வைணவர் தான்
அங்கு ஹென்று வைணவம் பரப்பினர். இன்றும் இந்த கன்னடர் தெலுங்கர் தம்
எழுத்தில் நாலாயிர திவ்விய பிரபந்தத்தை எழுதி தமிழில் தான் பாடுகின்றனர்.
இப்படி தமிழ்நாட்டில் இருந்து போன தமிழ் பிராமணர் 16 ஆம் நூற்றாண்டில்
தெலுங்கர் ஆயினர். அன்னமாச்சார்யார் பெற்றோர் தமிழர் என்று
சொல்லப்படுகின்றது . ஆனால் அன்னமாச்சாரியன் ஒரு தெலுங்கன் ஏனென்றால்
அவனுக்கு தமிழ் தெரியாது.
https://en.wikipedia.org/wiki/
Annamacharya - Wikipedia
en.wikipedia.org
Taḷḷapāka Annamācārya (or Annamayya) ( Telugu: తాళ్ళపాక అన్నమాచార్య;
22 May 1408 – 4 April 1503) was a 15th-century Hindu saint and is the
earliest known Indian musician to compose songs called sankirtanas in
praise of the god Venkateswara, a form of Vishnu. [1] He is the first
known composer in carnatic music. Other composers like Purandaradasa
came after him. The musical form of the keertana songs that he
composed, which are still popular among Carnatic music concert
artists, [2] have strongly influenced the structure of Carnatic music
compositions. [3] Annamacharya is remembered for his saintly life, and
is honoured as a great devotee of Vishnu by devotees and saintly
singers.[4]
He is believed to have been the avatar of Nandaka, the sword of
Vishnu. He is widely regarded as the Andhra Pada kavitā Pitāmaha
(Godfather of Telugu song-writing). [1]
Personal life
Annamacharya was born on Vaishakha Shuddha Pournami in the year
Sarwadhari (22 May 1408) in
Tallapaka, Near Rajampet Mandal, a village in current day Kadapa
district of Andhra Pradesh, India.[5] He was born into a Nandavarika
Niyogi Brahmin family. His wife, [[Timmakka ]], [6] had written
Subhadra Kalyanam , and is considered the first female poet in
Telugu literature. Their son, Pedda Tirumalacharya, and grandson,
Tallapaka Chinnayya, were also composers and poets. The Tallapaka
compositions are considered to have dominated and influenced the
structure of Carnatic music compositions. [3] Annamacharya lived for
95 years until Phalguna Bahula (Krishna) Dvadashi (12th day after full
moon) in the year Dhundhubhi (4 April 1503).
A statue of Tallapaka Annamacharya situated at the Sarada River Park
in Anakapalle, Andhra Pradesh.
Literary career
10-story tall statue of Sri Tallapaka Annamacharya located at the
entrance of Tallapaka.
Annamacharya is said to have composed as many as 32,000 sankeertanas
(songs) on the god Venkateswara, [7] of which only about 12,000 are
available today. He is also the author of musical treatise called
"Sankirthana lakshanamu" .[1]
Annamacharya considered his compositions as floral offerings to
Venkateswara. In the poems, he praises the deity, describes his love
for him, argues and quarrels with the Lord, confesses the devotee's
failures and apprehensions, and surrenders himself to Venkateshwara.
His songs are classified into the Adhyaatma (spiritual) and Sringaara
(romantic)
sankeertanas genres. His songs in the "Sringaara" genre worship
Venkateswara by describing the romantic adventures of Venkateshwara
and his consort Alamelu, while others describe the Bhakti of his
devotees.
In his later keertanas, he espouses subjects such as
morality , dharma and righteousness . He was one of the first few who
opposed the social stigma towards the
untouchable castes in his era, [8] with his sankeertanas explaining
that the relationship between God and human is the same irrespective
of the latter's color, caste and financial status, in his songs
"Brahmaṃ Okkatē Paraḥbrahmamokkatē " and "ē kulajuḍainanēmi
evvaḍainanēmi ". His prodigious literary career earned him a place
among the all-time greats of Telugu literature .[9]
Legacy
While he enjoyed popularity in his days, his compositions were
forgotten for over three centuries. Mentioned in 1849, [10] they were
later found engraved on copper plates, hidden for centuries inside the
Sri Venkateshwara temple at Tirumala, just opposite the Hundi,
concealed in a very small room. An English translation of 150 of these
verses was published in 2005. [11]
Tirumala Tirupati Devasthanams , also known as TTD, has been
endeavouring to preserve the rich heritage of his compositions. In the
year 1950, The State Government of Andhra Pradesh created a committee
and appointed Dr M Balamuralikrishna as its head. He set music to over
800 compositions of Annamacharya and are still popular among the
devotees. He has been the Āsthāna Gāyaka of the Tirumala temple at
Tirupati since two decades. He is regarded as a legend in rendering
devotional music in classical style, especially the Annamacharya
Sankirtanas. He is also an acclaimed poet, singer, and a musicologist.
Shobha Raju is the first recipient of Tirumala Tirupati Devasthanams
scholarship in 1976 to study and set a trend for the propagation of
Annamacharya's compositions, and was also chosen as the first
exclusive artiste for the propagation of Annamacharya's compositions
in 1978. Her first audio album, "Vēnkatēśvara Gīta Mālika " is
globally popular among Telugu community. She is the founder of
Annamacharya Bhavana Vahini (ABV) www
.annamayya.org in 1983, which is located in Hyderabad, India. She has
been awarded Padmashri by Government of India, in 2010 in recognition
of her efforts to promote Annamayya Compositions.
A Telugu film named Annamayya was made on him by
K. Raghavendra Rao in 1997. It starred Nagarjuna in the lead role as
Annamacharya and also featured Suman as Lord Venkateshwara and
Bhanupriya as Goddess Padmavathi Devi in important roles. The film
became a huge blockbuster, and was the highest grosser of the year in
Telugu cinema.
Kadayanallur Venkatraman, a brilliant composer has tuned a lot of
Annamacharya's kritis with beautiful ragas for M.S.Subbulakshmi, who
unveiled these forgotten kritis and brought them to the stage.
Famous Compositions
This is a partial list of some of the most famous Annamacharya compositions.
Note – (చ =Ca; ఛ=Cha; శ=Śa; ష=Ṣ. For more see
Romanization of Telugu )
Composition Raga Tala
Adivō Alladivō Śriharivāsamu
అదివో అల్లదివో శ్రీహరివాసము Madhyamavati Adi
Alara Cañcalamaina Ātmalanduṇḍa
అలర చంచలమైన ఆత్మలందుండ Rāga mālika khanDa cApu
Alarulu Kuriayaga Āḍinadē
అలరులు కురియగ ఆడినదే Dheerasankarabharanam
Anni mantramulu nindē yāvahiñcenu
అన్ని మంత్రములు ఇందే ఆవహించెనూ Amritavarshini
Antaryāmi Alaśiti Solaśiti
అంతర్యామి అలసితి సొలసితి Shivaranjani
Bhāvayāmi Gōpālabālaṁ Manassēvitaṁ
భావయామి గోపాలబాలం మనస్సేవితం
भावयामि गोपालबालं मनस्सेवितम् Yamunā Kaḷyāṇi Khanda Chapu
Bhāvamulōna Bāhyamunandunu
భావములోన బాహ్యమునందును Śuddha Dhanyasi Adi
Brahma Kaḍigina Pādamu
బ్రహ్మ కడిగిన పాదము Mukhāri Adi
Cakkani Talliki Chāngu Bhaḷā
చక్కని తల్లికి ఛాంగుభళా Paadi
Cāladā Harināma Saukhyāmr̥tamu
చాలదా హరినామ సౌఖ్యామృతము
Cēri Yaśōdaku Śiśuvitaḍu
చేరి యశోదకు శిశువితఁడు Mohanam Adi
Candamāma Rāve Jābilli Rāve
చందమామ రావే జాబిల్లి రావే
Dēvadēvaṁ Bhajē Divya Prabhāvaṁ
దేవదేవం భజే దివ్య ప్రభావం
देवदेवं भजे दिव्यप्रभावम् Hindolam Khanda Chapu
ḍōlāyāṁ Cālā ḍōlāyāṁ
డోలాయాం చల డోలాయాం Khamas(raga) 'Thisra Adi
ēmokō ciguruṭadharamuna eḍaneḍakastūri niṃḍenu
ఏమకో చిగురుటధరమున కస్తూరి నిండెను
ē Purāṇamuna Eṁta Vedakinā
ఏ పురాణమున ఎంత వెదకినా
GovindāŚrita Gōkula Br̥ndā
గోవిందాశ్రిత గోకుల బృందా
Harināmame Kaḍu Ānandakaramu
హరినామమే కడు ఆనందకరము
Indariki Abhayammuliccu Cēyi
ఇందరికి అభయమ్ములిచ్చు చేయి
Inni Rāśulayuniki Inti Cheluvapu Rāśi
ఇన్ని రాశులయునికి ఇంతిచెలువపు రాశి
Ippuḍiṭu Kalagaṃṭi
ఇప్పుడిటు కలగంటి
Itarulaku Ninneruga Taramā
ఇతరులకు నిన్నెరుగ తరమా
Jō Acyutānanda Jō Jō Mukundā
జో అచ్యుతానంద జో జో ముకుందా Navroj
Kanṭi Śukravāramu Gaḍiyalēḍiṁṭa
కంటి శుక్రవారము గడియలేడింట
Koṁḍalalō Nelakonna Kōnēṭi Rāyaḍu Vāḍu
కొండలలో నెలకొన్న కోనేటి రాయడు వాడు Hindolam
kṣīrābdi kanyakaku Śrī Mahālakṣmikini
క్షీరాబ్ది కన్యకకు శ్రీ మహాలక్ష్మికిని Kurinji(raga) Khanda Chapu
Kulukaka Naḍavārō Kommalārā
కులుకక నడవరో కొమ్మలారా Atana Adi
Madhava Kesava Madhusoodhana
మాధవ కేశవ మధుసూదన విష్ణు
माधव केशव मधुसूदना Kapi Adi
Mēdini Jīvula Gāva Mēlukōvayyā
మీదిని జీవుల గావ మేలుకోవయ్యా
Muddugārē Yaśōda Muṅgiṭa Mutayamu vīḍu
ముద్దుగారే యశోద ముంగిట ముత్యము వీడు Kuranji Adi
Mūsina Mutyālakēlē Moragulu
మూసిన ముత్యాలకేలే మొరగులు
Nallani Mēni Nagavu Chūpulavāḍu
నల్లని మేని నగవు చూపులవాడు
Nānāṭi Batuku Nāṭakamu
నానాటి బతుకు నాటకము Rēvati Adi
Nārāyaṇa Tē Namō Namō
నారాయణ తే నమో నమో
नारायण ते नमो नमो Bihag Adi
Neyyamullallō Nērēḷḷo Voyyana ūreḍi Uvviḷḷo
నెయ్యములల్లో నేరేళ్ళో వొయ్యన ఊరెడి ఉవ్విళ్ళో
Nitya Pūjalivivō Nericinānōhō
నిత్యపూజలివివో నేరిచినానోహో
Paluku Tēnelatalli Pavaḷincenu
పలుకు తేనెలతల్లి పవళించెను
Poḍaganṭimayya mimmu Puruṣōttamā
పొడగంటిమయ్యా మిమ్ము పురుషోత్తమా Mohanam Adi
Śriman Narāyaṇā Śriman Narāyaṇā Nī Śri Pādamē Śaraṇu
శ్రీమన్నారాయణ శ్రీమన్నారాయణ నీ శ్రీపాదమే శరణు Bowli Adi
Rajīva Nētrāya Raghavāya Namō
రాజీవ నేత్రాయ రాఘవాయ నమో
राजीवनेत्राय राघवाय नमो Madhyamavathi Khanda Chapu
Ramacandruḍitaḍu Raghuvīruḍu
రామచంద్రుడితడు రఘువీరుడు
Siruta Navvulavāḍu Sinnakka
సిరుత నవ్వులవాడు సిన్నక్కా
Ṣōḍaśa Kaḷānidhiki Ṣoḍaśōpacāramulu
షోడశ కళానిధికి షోడశోపచారములు
Brahmam Okate
తందనాన అహి Bowli Adi
Tvamēva Śaraṇam
త్వమేవ శరణం
त्वमेव शरणम्
Vandēhaṁ Jagadvallabhaṁ
Sanskrit: वन्देहं जगद्वल्लभं
Telugu : వందేహం జగద్వల్లభం Hamsadhvani Khanda Chapu
Vandē Vāsudēvaṁ Śrīpatiṁ
వందే వాసుదేవం శ్రీపతిం
वन्दे वासुदेवं श्रीपतिम् Sri Khanda Chapu
Vēḍukoṁdāmā Vēṅkaṭagiri Veṅkaṭeśvaruni Veḍukoṁdāmā
వేడుకొందామా వేంకటగిరి వేంకటేశ్వరుని వేడుకొందామా
Vinnapālu Vinavale Viṁtaviṁtalu
విన్నపాలు వినవలె వింతవింతలు
అన్నమయ్య పాటలు (All Annamayya songs lyrics in Telugu Script)
See also
List of Carnatic composers
Annamacharya sankeertana
References
1. ^ a b c "Life and Times of Sri Tallapaka Annamacharya" . Svasa.org.
Retrieved 2013-06-20.
2. ^ Jackson (1999) , p. 105.
3. ^ a b Jackson (1999) , p. 216.
4. ^ Jackson (1999) , p. 265.
5. ^ "Pension for Annamayya's descendants" . The Hindu . Chennai,
India. 23 May 2008.
6. ^ "Annamacharya's 600th birth anniversary celebrated" . The Hindu .
Chennai, India. 6 April 2009.
7. ^ "Annamayya preached oneness 600 years ago" .
The Hindu . Chennai, India. 4 May 2007.
8. ^ "All are equal before God" . The Hindu . Chennai, India. 14 July
2000. Retrieved 5 June 2013.
9. ^ "A classical touch to Annamayya kritis" . The Hindu . Chennai,
India. 5 February 2005.
10. ^ Campbell, AD (1849). A grammar of the Telugu language (3 ed.).
Hindu Press. p. xiii.
11. ^ Annamayya, (translators) Velcheru Narayana Rao, David Shulman
(2005). God on the Hill: Temple Poems from Tirupati . Oxford
University Press, USA.
ISBN 0195182847 . Retrieved 5 June 2013.
12. ^ "Alara chanchalamaina" . Sahityam. 25 September 2009. Retrieved
2013-06-20.
13. ^ "Anni mantramulu" . Sahityam. 7 November 2009. Retrieved 2013-06-20.
14. ^ "Bhavayami Gopalabalam" . Sahityam. 6 July 2010. Retrieved 2013-06-20.
15. ^ "Bhavamulona bahyamunandunu" . Sahityam. Retrieved 2013-06-20.
16. ^ "Jo achyutananda jo jo mukunda" . Sahityam. 24 January 2012.
Retrieved 2013-06-20.
17. ^ "Kanti sukravaramu" . Sahityam. 9 June 2010. Retrieved 2013-06-20.
18. ^ "Kulukaka nadavaro" . Sahityam. 19 October 2010. Retrieved 2013-06-20.
19. ^ "Muddugare yasoda" . Sahityam. 2 October 2010. Retrieved 2013-06-20.
20. ^ "Nitya pujalivivO" . Sahityam. 17 June 2010. Retrieved 2013-06-20.
Further reading
Jackson, William. 'Religious and Devotional Music: Southern Area’
(1999). In Porter, James; Rice, Timothy; Goertzon, Chris. The Garland
Encyclopedia of World Music. New York & London: Taylor & Francis.
இசை சங்கீர்த்தனா தெலுங்கு சங்கீதம் திருப்பதி
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